By Phillip Crandall
"It's Time To Party," the 1st music off of i am getting rainy, opens with a rapid-fire guitar line not anything fancy, only a couple crunchy energy chords to acclimate the ears repeated two times earlier than a booming bass drum joins in to supply a quarter-note countdown. A faint, It's Time To Party," the 1st music off of i am getting rainy, opens with a rapid-fire guitar line — not anything fancy, only a couple crunchy energy chords to acclimate the ears — repeated two times prior to a booming bass drum joins in to supply a quarter-note countdown. A faint, swirling impression intensifies with every one bass kick and, through the 8th one, the ears have prepped themselves for the steel mayhem they're approximately to obtain. while all of it drops, and the joyous onslaught of 100 guitars is ultimately learned, you'll need to forgive your ears for being duped right into a fake feel of defense, simply because it's that moment intensified drop a number of seconds later — the single the place but extra guitars take place and Andrew W.K. slam-plants his vocal flag via screaming the song's titular line — that actually floods the mind with endorphins, serotonin, dopamine, and no matter what else formulates invincibility.
Polished to a shiny overdubbed-to-oblivion sheen, the party-preaching i am getting rainy didn't catch the zeitgeist of rock on the flip of the century; it captured the timelessness of adlescent, as energized, remarkable, and unapologetically silly as ever. With insights from acquaintances and exceptional aid from the mythological maniac himself — whose sermon and pa sensibilities proceed to polarize — this publication chronicles the sound's evolution, uncovers the relevance of Steev Mike, and examines how Andrew W.K.'s inviting, inclusive lyrics create the last word shared adventure among artist and viewers.
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Additional info for Andrew W.K.'s I Get Wet (33 1/3 Series)
This was all before Morgan learned that his apartment had burned to the ground. • 38 • PHILLIP CR A NDALL “I was working and I got this phone call,” Morgan remembers. “There were all these sirens and people yelling in the background. They were like, ‘Hello, is this Mr. Morgan? We’re sorry to inform you, but your building caught on fire and I’m afraid you lost everything. ’ I was like, ‘Holy shit! ’ He probably spent hours making this ludicrous background tape for a two-minute prank call. ” Morgan says the day he was about to kick Andrew out once and for all, Andrew informed him he had found another place to live.
That first show at Gavin Brown’s “blew my mind,” Matt Sweeney says, and after he saw him again—this time with a pre-recorded CD and a microphone instead of a keyboard and drum machine—he asked Andrew if he could be his manager. “I’ve never seen anybody jack their body around like that,” Sweeney says. “It looked like he was going to hurt • 49 • I GET WET himself, yet the songs were so spectacular and catchy. I compare it to Ween. In their early shows, they were playing along to a tape and there was something inherently confrontational about that.
Bulb Records released a Wolf Eyes 12-inch entitled Fortune Dove that featured three songs the band recorded in Andrew’s apartment. For the fourth song, the label (Larson) asked Andrew to do a remix. (“We do not play on that song at all,” Dilloway confirms. K. name. The guitar riff and rhyme delivery are closer to the random nu-metal samples you’d extract from any Y2K time-capsule, but the voice is clearly Andrew. ” “We never heard it until we got our copies and were like, ‘Holy shit,’” Dilloway says.